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Secrets of Synthesis
01. Introduction
02. Examples of Analog Timbres
03. Choral Tone, Vibrato, Articulation
04. Vocal Synthesis
05. Performance Values
06. Simple Orchestration
07. Electronic Pointillism & Hocketing
08. For Spatial Motion
09. Ensemble Performance Via Click‐Tracks
10. Imitative Synthesis
11. Musique Concrete Plus Synthesizer
12. Orchestra With Synthesizer
13. Digital Synthesis
14. Digital vs. Analog
15. Hybrid Timbres
16. Alternative Tunings ‐ The Future
Yankovic Weird Al
Peter And The Wolf
Introduction

Hello, Boys and Girls. This is a story that I like to call,
"Peter and the Wolf". Are you sitting
Comfortably? ARE YOU!? Good, then let's begin ...

Each character is represented by a different instrument of the
Synthesized orchestra. For instance, the part of Billy the Bird is
Played by a flute, like this ...

The part of Bruce the Duck is played by an oboe ...

Louie the Cat is a clarinet.
All right, he's not *really* a clarinet - he's just - you know,
H-he's represented by a clarinet ...

The part of the Grandfather will be played by Don Amiche.
He - ... What? ... Can't make it? ...
Oh. Okay, um, hmm, in that case,
The part of the Grandfather will be played by a bassoon ...

Three French horns play the part of ... uhm ...
Three French horns ... uh ... (The Wolf! It's the Wolf!)
Right! The Wolf. Seymour the Wolf ...

The kettle drum and bass drum represent the sub-machine-gun fire of the
Hunters ...

And, of course, as always, the part of Bob the Janitor is played by the
Accordion ...

Well, that's it for the introductions. And now, the story ...

A long time ago, in a galaxy far far away ... uh, ... Oh, excuse me ...

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