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Disc 1
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01.
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Symphony no. 1 in D major: I. Langsam. Schleppend. Wie ein Naturlaut - Im Anfang sehr gemächlich
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02.
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Symphony no. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell - Trio. Recht gemächlich
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03.
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Symphony no. 1 in D major: III. Feierlich und gemeßsen, ohne zu schleppen
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04.
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Symphony no. 1 in D major: IV. Stürmisch bewegt
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Disc 2
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01.
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Symphony no. 2 in C minor, "Resurrection": I. Allegro maestoso (Totenfeier). Mit durchaus ernstem und feierlichem Ausdruck
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02.
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Symphony no. 2 in C minor, "Resurrection": I. Allegro maestoso (Totenfeier). Sehr mäßig und zurückhaltend
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03.
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Symphony no. 2 in C minor, "Resurrection": I. Allegro maestoso (Totenfeier). Schnell
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04.
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Symphony no. 2 in C minor, "Resurrection": I. Allegro maestoso (Totenfeier). Tempo I
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05.
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Symphony no. 2 in C minor, "Resurrection": I. Allegro maestoso (Totenfeier). Tempo sostenuto
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06.
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Symphony no. 2 in C minor, "Resurrection": II. Andante moderato. Sehr gemächlich
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07.
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Symphony no. 2 in C minor, "Resurrection": II. Andante moderato. Nicht eilen. Sehr gemächlich
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08.
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Symphony no. 2 in C minor, "Resurrection": II. Andante moderato. In Tempo I zurückkehren
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09.
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Symphony no. 2 in C minor, "Resurrection": II. Andante moderato. Energisch bewegt
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10.
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Symphony no. 2 in C minor, "Resurrection": II. Andante moderato. Wieder ins Tempo zurückgehen. Tempo I
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Disc 3
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01.
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Symphony no. 2 in C minor, "Resurrection": III. [Scherzo]. In ruhig fließender Bewegung
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02.
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Symphony no. 2 in C minor, "Resurrection": III. [Scherzo]. Sehr getragen und gesangvoll
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03.
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Symphony no. 2 in C minor, "Resurrection": III. [Scherzo]. Zum Tempo I zurückkehren – attacca:
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04.
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Symphony no. 2 in C minor, "Resurrection": IV. »Urlicht«. Sehr feierlich, aber schlicht · »O Röschen rot« (Alt‐Solo) – attaca:
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05.
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Symphony no. 2 in C minor, "Resurrection": V. Im Tempo des Scherzos. Wildherausfahrend
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06.
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Symphony no. 2 in C minor, "Resurrection": V. Langsam
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07.
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Symphony no. 2 in C minor, "Resurrection": V. Im Anfang sehr zurückgehalten
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08.
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Symphony no. 2 in C minor, "Resurrection": V. Wieder sehr breit
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09.
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Symphony no. 2 in C minor, "Resurrection": V. Molto ritenuto. Maestoso
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10.
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Symphony no. 2 in C minor, "Resurrection": V. Wieder zurückhaltend
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11.
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Symphony no. 2 in C minor, "Resurrection": V. Sehr langsam und gedehnt
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12.
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Symphony no. 2 in C minor, "Resurrection": V. Langsam. Misterioso »Auferstehn, ja auferstehn wirst du (Sopran‐Solo, Chor)
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13.
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Symphony no. 2 in C minor, "Resurrection": V. Langsam ppp. Nicht schleppen »Weider aufzublühn wirst du gesät« (Sopran‐Solo, Chor)
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14.
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Symphony no. 2 in C minor, "Resurrection": V. Etwas bewegter »O glaube, mein Herz, o glaube« (Alt‐Solo, Sopran‐Solo, Chor)
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15.
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Symphony no. 2 in C minor, "Resurrection": V. Mit Aufschwung, aber nicht eilen »O Schmerz, du Alldurchdringer« (Alt‐Solo, Sopran‐Solo, Chor)
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Disc 4
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01.
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Symphony no. 3 in D minor: Ia. Kräftig. Entschieden
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02.
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Symphony no. 3 in D minor: Ib. Immer das gleiche Tempo
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03.
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Symphony no. 3 in D minor: Ic.Tempo I
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04.
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Symphony no. 3 in D minor: Id. Zeit lassen
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05.
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Symphony no. 3 in D minor: Ie. Zeit lassen
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06.
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Symphony no. 3 in D minor: If. Immer dasselbe Tempo (Marsch). Nicht eilen
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07.
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Symphony no. 3 in D minor: Ig. Im alten Marschtempo (Allegro Moderato)
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08.
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Symphony no. 3 in D minor: Ih. Tempo I
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09.
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Symphony no. 3 in D minor: IIa. Tempo di Menuetto. Sehr mässig
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10.
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Symphony no. 3 in D minor: IIb. L'istesso tempo
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11.
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Symphony no. 3 in D minor: IIc. A tempo (Wie im Anfang)
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12.
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Symphony no. 3 in D minor: IId. Ganz plötzlich gemächlich. Tempo di Menuetto
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13.
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Symphony no. 3 in D minor: IIIa. Comodo. Scherzando. Ohne Hast
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14.
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Symphony no. 3 in D minor: IIIb. Wieder sehr gemächlich, wir zu Anfang
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15.
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Symphony no. 3 in D minor: IIIc. Etwas zurückhaltend
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16.
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Symphony no. 3 in D minor: IIId. Schnell und schmetternd wie eine Fanfare - Tempo I. Mit geheimnisvoller Hast
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17.
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Symphony no. 3 in D minor: IIIe. Wieder sehr gemächlich, beinahe langsam
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Disc 5
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01.
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Symphony no. 3 in D minor: IVa. Sehr langsam. Misterioso. Durchaus ppp: "O Mensch! Gib acht!"
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02.
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Symphony no. 3 in D minor: IVb. Più mosso subito
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03.
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Symphony no. 3 in D minor: V. Lustig im Tempo und keck im Ausdruck: "Bimm bamm / Es sungen drei Engel"
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04.
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Symphony no. 3 in D minor: VIa. Langsam. Ruhevoll. Empfunden
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05.
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Symphony no. 3 in D minor: VIb. Nicht mehr so breit
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06.
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Symphony no. 3 in D minor: VIc. Tempo I. Ruhevoll
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07.
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Symphony no. 3 in D minor: VId. Nicht mehr so breit
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08.
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Symphony no. 3 in D minor: VIe. Tempo I
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09.
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Symphony no. 3 in D minor: VIf. Langsam. Tempo I
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Disc 6
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01.
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Symphony no. 4 in G major: I. Bedächtig, nicht eilen
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02.
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Symphony no. 4 in G major: II. In gemächlicher Bewegung, ohne Hast
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03.
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Symphony no. 4 in G major: III. Ruhevoll
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04.
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Symphony no. 4 in G major: IV. Sehr behaglich
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Disc 7
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01.
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Symphony no. 5 in C-Sharp minor, Pt. 1: I. Trauermarsch (In gemessenem Schritt. Streng. Wie ein Kondukt: Plötzlich schneller. Leidenschaftlich. Wild - Tempo I)
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02.
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Symphony no. 5 in C-Sharp minor, Pt. 1: II. Stürmisch bewegt (Mit größter Vehemenz: Bedeutend langsamer - Tempo I subito)
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03.
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Symphony no. 5 in C-Sharp minor, Pt. 2: III. Scherzo (Kräftig, nicht zu schnell)
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04.
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Symphony no. 5 in C-Sharp minor, Pt. 3: IV. Adagietto (Sehr langsam)
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05.
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Symphony no. 5 in C-Sharp minor, Pt. 3: V. Rondo-Finale (Allegro)
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Disc 8
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01.
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Symphony No. 6 in A minor: I. Allegro energico, ma non troppo. Heftig, aber markig
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02.
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Symphony No. 6 in A minor: II. Scherzo. Wuchtig
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03.
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Symphony No. 6 in A minor: III. Andante moderato
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Disc 9
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01.
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Symphony No. 6 in A minor: IV. Finale: Allegro moderato - Allegro energico
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Disc 10
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01.
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Symphony no. 7 in E minor: Ia. Langsam (Adagio)
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02.
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Symphony no. 7 in E minor: Ib. Nicht schleppen
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03.
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Symphony no. 7 in E minor: Ic. Allegro risoluto, ma non troppo
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04.
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Symphony no. 7 in E minor: Id. A tempo (sempre l'istesso)
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05.
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Symphony no. 7 in E minor: Ie(i). Moderato
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06.
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Symphony no. 7 in E minor: Ie(ii). Moderato
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07.
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Symphony no. 7 in E minor: If. Adagio (Tempo der Einleitung)
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08.
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Symphony no. 7 in E minor: Ig. Allegro come prima
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09.
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Symphony no. 7 in E minor: Ih. Poco ritenuto --- a tempo
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10.
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Symphony no. 7 in E minor: Ii. Nicht eilen
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11.
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Symphony no. 7 in E minor: IIa. Nachtmusik. Allegro moderato
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12.
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Symphony no. 7 in E minor: IIb. Sempre l'istesso tempo
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13.
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Symphony no. 7 in E minor: IIc. Poco meno mosso
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14.
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Symphony no. 7 in E minor: IId(i). Tempo
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15.
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Symphony no. 7 in E minor: IId(ii). Tempo
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16.
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Symphony no. 7 in E minor: IIe. Sehr gemessen
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Disc 11
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01.
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Symphony no. 7 in E minor: IIIa. Scherzo. Schattenhaft
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02.
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Symphony no. 7 in E minor: IIIb. Trio
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03.
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Symphony no. 7 in E minor: IIIc. Wieder wie zu Anfang
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04.
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Symphony no. 7 in E minor: IVa(i). Nachtmusik. Andante amoroso
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05.
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Symphony no. 7 in E minor: IVa(ii). Nachtmusik. Andante amoroso
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06.
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Symphony no. 7 in E minor: IVb. Tempo I. poco rit.
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07.
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Symphony no. 7 in E minor: Va. Rondo-Finale. Tempo I (Allegro ordinario)
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08.
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Symphony no. 7 in E minor: Vb. Sempre l'istesso tempo
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09.
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Symphony no. 7 in E minor: Vc. Tempo II (Allegro moderato ma energico)
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10.
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Symphony no. 7 in E minor: Vd(i). Tempo I
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11.
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Symphony no. 7 in E minor: Vd(ii). Tempo I
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12.
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Symphony no. 7 in E minor: Ve. Tempo I subito
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13.
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Symphony no. 7 in E minor: Vf. Meno mosso (Tempo II)
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14.
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Symphony no. 7 in E minor: Vg. Accelerando
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Disc 12
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01.
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Symphony no. 10 in F-sharp minor: Ia. Adagio. Andante
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02.
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Symphony no. 10 in F-sharp minor: Ib. Adagio. Andante come prima
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03.
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Symphony no. 10 in F-sharp minor: Ic. Adagio. [ ]
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04.
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Symphony no. 10 in F-sharp minor: Id. Adagio. [ ]
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05.
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Symphony no. 10 in F-sharp minor: Ie. Adagio. Andante
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06.
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Symphony no. 8 in E-flat major, Part I: Hymnus "Veni, creator spriritus" I. Allegro Impetuoso
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07.
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Symphony no. 8 in E-flat major, Part I: Hymnus "Veni, creator spriritus" II. "Imple superna gratia"
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08.
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Symphony no. 8 in E-flat major, Part I: Hymnus "Veni, creator spriritus" III. "Infirma nostri corporis"
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09.
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Symphony no. 8 in E-flat major, Part I: Hymnus "Veni, creator spriritus" IV. Tempo I. Allegro, etwas hastig
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10.
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Symphony no. 8 in E-flat major, Part I: Hymnus "Veni, creator spriritus" V. "Infirma nostri corporis"
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11.
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Symphony no. 8 in E-flat major, Part I: Hymnus "Veni, creator spriritus" VI. "Accende lumen sensibus"
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12.
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Symphony no. 8 in E-flat major, Part I: Hymnus "Veni, creator spriritus" VII. "Qui Paraclitus diceris"
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13.
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Symphony no. 8 in E-flat major, Part I: Hymnus "Veni, creator spriritus" VIII. "Gloria Partri Domino"
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Disc 13
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01.
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Symphony no. 8 in E-flat major, Part II: Schluss-szene aus "Faust" I. Poco adagio
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02.
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Symphony no. 8 in E-flat major, Part II: Schluss-szene aus "Faust" II. Più mosso. Allegro moderato
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03.
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Symphony no. 8 in E-flat major, Part II: Schluss-szene aus "Faust" III. (Chor und Echo) "Waldung, sie schwankt heran"
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04.
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Symphony no. 8 in E-flat major, Part II: Schluss-szene aus "Faust" IV. (Pater ecstaticus) "Ewiger Wonnebrand"
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05.
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Symphony no. 8 in E-flat major, Part II: Schluss-szene aus "Faust" V. (Pater profundus) "Wie Felsenabgrund mir zu Füßen"
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06.
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Symphony no. 8 in E-flat major, Part II: Schluss-szene aus "Faust" VI. (Chor der Engel) "Gerettet ist das edle Glied"
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07.
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Symphony no. 8 in E-flat major, Part II: Schluss-szene aus "Faust" VII. (Chor der jüngeren Engel) "Jene Rosen aus den Händen"
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08.
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Symphony no. 8 in E-flat major, Part II: Schluss-szene aus "Faust" VIII. (Die vollendeteren Engel) "Uns bleibt ein Erdenrest"
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09.
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Symphony no. 8 in E-flat major, Part II: Schluss-szene aus "Faust" IX. (Die jüngeren Engel) "Ich spür'soeben, nebelnd um Felsenhöh"
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10.
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Symphony no. 8 in E-flat major, Part II: Schluss-szene aus "Faust" X. (Doctor Marianus) "Höchste Herrscherin der Welt"
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11.
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Symphony no. 8 in E-flat major, Part II: Schluss-szene aus "Faust" XI. (Chor der BuBerinnen und Una poenitentium) "Dir, der Unberührbaren"
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12.
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Symphony no. 8 in E-flat major, Part II: Schluss-szene aus "Faust" XII. (Maria Aegyptiaca) "Bei der Liebe, die den Füßen"
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13.
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Symphony no. 8 in E-flat major, Part II: Schluss-szene aus "Faust" XIII. (Una poenitentium) "Neige, du Ohnegleiche"
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14.
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Symphony no. 8 in E-flat major, Part II: Schluss-szene aus "Faust" XIV. (Selige Knaben) "Er überwächst uns schon"
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15.
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Symphony no. 8 in E-flat major, Part II: Schluss-szene aus "Faust" XV. (Mater gloriosa) "Komm! hebe dich zu höhern Sphären"
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16.
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Symphony no. 8 in E-flat major, Part II: Schluss-szene aus "Faust" XVI. (Chorus mysticus) "Alles Vergängliche ist nur ein G"
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Disc 14
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01.
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Symphony no. 9 in D major: I. Satz. Andante comodo: [Takt 1]
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02.
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Symphony no. 9 in D major: I. Satz. Andante comodo: (Horneinsatz)
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03.
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Symphony no. 9 in D major: I. Satz. Andante comodo: Bewegter
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04.
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Symphony no. 9 in D major: I. Satz. Andante comodo: [Takt 317]
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05.
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Symphony no. 9 in D major: I. Satz. Andante comodo: Wie von Anfang
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06.
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Symphony no. 9 in D major: I. Satz. Andante comodo: Plötzlich bedeutend langsamer (Lento) und leise
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07.
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Symphony no. 9 in D major: II. Satz. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb: [Takt 1]
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08.
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Symphony no. 9 in D major: II. Satz. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb: Poco più mosso subito (Tempo II.)
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09.
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Symphony no. 9 in D major: II. Satz. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb: Tempo III.
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10.
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Symphony no. 9 in D major: II. Satz. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb: A tempo II.
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11.
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Symphony no. 9 in D major: II. Satz. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb: Tempo I.
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12.
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Symphony no. 9 in D major: II. Satz. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb: Tempo II.
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13.
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Symphony no. 9 in D major: II. Satz. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb: Tempo I. subito
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Disc 15
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01.
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Symphony no. 9 in D major: III. Satz. Rondo‐Burleske. Allegro assai. Sehr trotzig: [Takt 1]
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02.
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Symphony no. 9 in D major: III. Satz. Rondo‐Burleske. Allegro assai. Sehr trotzig: L’istesso tempo
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03.
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Symphony no. 9 in D major: III. Satz. Rondo‐Burleske. Allegro assai. Sehr trotzig: Sempre l’istesso tempo
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04.
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Symphony no. 9 in D major: III. Satz. Rondo‐Burleske. Allegro assai. Sehr trotzig: L’istesso tempo
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05.
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Symphony no. 9 in D major: III. Satz. Rondo‐Burleske. Allegro assai. Sehr trotzig: [Takt 347]
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06.
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Symphony no. 9 in D major: III. Satz. Rondo‐Burleske. Allegro assai. Sehr trotzig: (Klarinetteneinsatz)
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07.
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Symphony no. 9 in D major: III. Satz. Rondo‐Burleske. Allegro assai. Sehr trotzig: Tempo I. subito
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08.
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Symphony no. 9 in D major: III. Satz. Rondo‐Burleske. Allegro assai. Sehr trotzig: Più stretto
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09.
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Symphony no. 9 in D major: IV. Satz. Adagio. Sehr langsam und noch zurückhaltend: [Takt 1]
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10.
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Symphony no. 9 in D major: IV. Satz. Adagio. Sehr langsam und noch zurückhaltend: Plötzlich wieder sehr langsam (wie zu Anfang) und etwas zögernd
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11.
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Symphony no. 9 in D major: IV. Satz. Adagio. Sehr langsam und noch zurückhaltend: Molto adagio subito
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12.
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Symphony no. 9 in D major: IV. Satz. Adagio. Sehr langsam und noch zurückhaltend: A tempo (Molto adagio)
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13.
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Symphony no. 9 in D major: IV. Satz. Adagio. Sehr langsam und noch zurückhaltend: Stets sehr gehalten
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14.
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Symphony no. 9 in D major: IV. Satz. Adagio. Sehr langsam und noch zurückhaltend: Fließender, doch durchaus nicht eilend
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15.
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Symphony no. 9 in D major: IV. Satz. Adagio. Sehr langsam und noch zurückhaltend: Tempo I. Molto adagio
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16.
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Symphony no. 9 in D major: IV. Satz. Adagio. Sehr langsam und noch zurückhaltend: Adagissimo
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Disc 16
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01.
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Symphony no. 9 in D major: I. Andante comodo
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02.
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Symphony no. 9 in D major: II. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb
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03.
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Symphony no. 9 in D major: III. Rondo-Burleske: Allegro assai. Sehr trotzig
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04.
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Symphony no. 9 in D major: IV. Adagio. Sehr langsam und noch zurückhaltend
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Disc 17
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01.
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Das Lied von der Erde: I. Das Trinklied vom Jammer der Erde
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02.
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Das Lied von der Erde: II. Der Einsame im Herbst
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03.
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Das Lied von der Erde: III. Von der Jugend
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04.
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Das Lied von der Erde: IV. Von der Schönheit
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05.
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Das Lied von der Erde: V. Der Trunkene im Frühling
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06.
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Das Lied von der Erde: VI. Der Abschied
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Disc 18
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01.
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Des Knaben Wunderhorn: I. Der Schildwache Nachtlied
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02.
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Des Knaben Wunderhorn: II. Wer hat dies Liedlein erdacht?
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03.
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Des Knaben Wunderhorn: III. Der Tamboursg'sell
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04.
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Des Knaben Wunderhorn: IV. Das irdische Leben
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05.
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Des Knaben Wunderhorn: V. Verlor'ne Müh'
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06.
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Des Knaben Wunderhorn: VI. Des Antonius von Padua Fischpredigt
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07.
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Des Knaben Wunderhorn: VII. Revelge
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08.
|
Des Knaben Wunderhorn: VIII. Rheinlegendchen
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09.
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Des Knaben Wunderhorn: IX. Lob des hohen Verstandes
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10.
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Des Knaben Wunderhorn: X. Wo die schönen Trompeten blasen
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11.
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Des Knaben Wunderhorn: XI. Lied des Verfolgten im Turm
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12.
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Des Knaben Wunderhorn: XII. Trost im Unglück
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13.
|
Des Knaben Wunderhorn: XIII. Urlicht
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Disc 19
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|
01.
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Lieder eines fahrenden Gesellen: I. Wenn mein Schatz Hochzeit macht
|
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02.
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Lieder eines fahrenden Gesellen: II. Ging heut' morgen übers Feld
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03.
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Lieder eines fahrenden Gesellen: III. Ich hab' ein glühend Messer
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04.
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Lieder eines fahrenden Gesellen: IV. Die zwei blauen Augen
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05.
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Kindertotenlieder: I. Nun will die Sonn' so hell aufgehn
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06.
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Kindertotenlieder: II. Nun seh' ich wohl, warum so dunkle Flammen
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07.
|
Kindertotenlieder: III. Wenn dein Mütterlein
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08.
|
Kindertotenlieder: IV. Oft denk' ich, sie sind nur ausgegangen
|
|
09.
|
Kindertotenlieder: V. In diesem Wetter, in diesem Braus
|
|
10.
|
Rückert Lieder: V. Liebst du um Schönheit
|
|
11.
|
Rückert Lieder: I. Blicke mir nicht in die Lieder
|
|
12.
|
Rückert Lieder: II. Ich atmet' einen linden Duft
|
|
13.
|
Rückert Lieder: IV. Um Mitternacht
|
|
14.
|
Rückert Lieder: III. Ich bin der Welt abhanden gekommen
|
|
Disc 20
|
|
01.
|
Ouvertüre “Die Hebriden” (“Die Fingalshöhle”), op. 26, MWV P 7: Allegro moderato - Animato in tempo
|
|
02.
|
Symphony no. 3 in A minor, op. 56, MWV N 18 "Scottish": I. Andante con moto - Allegro un poco agitato - Assai animato - Andante come prima
|
|
03.
|
Symphony no. 3 in A minor, op. 56, MWV N 18 "Scottish": II. Vivace non troppo
|
|
04.
|
Symphony no. 3 in A minor, op. 56, MWV N 18 "Scottish": III. Adagio
|
|
05.
|
Symphony no. 3 in A minor, op. 56, MWV N 18 "Scottish": IV. Allegro vivacissimo - Allegro maestoso assai
|
|
Disc 21
|
|
01.
|
Symphony no. 4 in A major, op. 90, MWV N 16 "Italian": I. Allegro vivace
|
|
02.
|
Symphony no. 4 in A major, op. 90, MWV N 16 "Italian": II. Andante con moto
|
|
03.
|
Symphony no. 4 in A major, op. 90, MWV N 16 "Italian": III. Con moto moderato
|
|
04.
|
Symphony no. 4 in A major, op. 90, MWV N 16 "Italian": IV. Saltarello (Presto)
|
|
05.
|
Symphony no. 5 in D minor, op. 107, MWV N 15 "Reformation": I. Andante - Allegro con fuoco
|
|
06.
|
Symphony no. 5 in D minor, op. 107, MWV N 15 "Reformation": II. Allegro vivace
|
|
07.
|
Symphony no. 5 in D minor, op. 107, MWV N 15 "Reformation": III. Andante
|
|
08.
|
Symphony no. 5 in D minor, op. 107, MWV N 15 "Reformation": IV. Choral "Ein' Feste Burg ist unser Gott!" (Andante con moto - Allegro vivace - Allegro maestoso - Più animato poco a poco)
|
|
Disc 22
|
|
01.
|
Symphony no. 29 in A major, K. 201: I. Allegro moderato
|
|
02.
|
Symphony no. 29 in A major, K. 201: II. Andante
|
|
03.
|
Symphony no. 29 in A major, K. 201: III. Minuetto & Trio
|
|
04.
|
Symphony no. 29 in A major, K. 201: IV. Allegro con spirito
|
|
05.
|
Symphony no. 25 in G minor, K. 183: I. Allegro con brio
|
|
06.
|
Symphony no. 25 in G minor, K. 183: II. Andante
|
|
07.
|
Symphony no. 25 in G minor, K. 183: III. Minuetto & Trio
|
|
08.
|
Symphony no. 25 in G minor, K. 183: IV. Allegro
|
|
09.
|
Concerto for Clarinet in A major, K. 622: I. Allegro
|
|
10.
|
Concerto for Clarinet in A major, K. 622: II. Adagio
|
|
11.
|
Concerto for Clarinet in A major, K. 622: III. Rondo. Allegro
|
|
Disc 23
|
|
01.
|
Symphony no. 35 in D major, K. 385 "Haffner": I. Allegro con spirito
|
|
02.
|
Symphony no. 35 in D major, K. 385 "Haffner": II. Andante
|
|
03.
|
Symphony no. 35 in D major, K. 385 "Haffner": III. Minuetto
|
|
04.
|
Symphony no. 35 in D major, K. 385 "Haffner": IV. Finale. Presto
|
|
05.
|
Symphony no. 41 in C major, K. 551 "Jupiter": I. Allegro vivace
|
|
06.
|
Symphony no. 41 in C major, K. 551 "Jupiter": II. Andante cantabile
|
|
07.
|
Symphony no. 41 in C major, K. 551 "Jupiter": III. Minuetto. Allegretto & Trio
|
|
08.
|
Symphony no. 41 in C major, K. 551 "Jupiter": IV. Allegro molto
|
|
Disc 24
|
|
01.
|
Symphony no. 36 in C major, K. 425 "Linz" : I. Adagio - Allegro spiritoso
|
|
02.
|
Symphony no. 36 in C major, K. 425 "Linz" : II. Andante
|
|
03.
|
Symphony no. 36 in C major, K. 425 "Linz" : III. Menuetto
|
|
04.
|
Symphony no. 36 in C major, K. 425 "Linz" : IV. Presto
|
|
05.
|
Symphony no. 38 in D major, K. 504 "Prague" : I. Adagio - Allegro
|
|
06.
|
Symphony no. 38 in D major, K. 504 "Prague" : II. Andante
|
|
07.
|
Symphony no. 38 in D major, K. 504 "Prague" : III. (Finale) Presto
|
|
Disc 25
|
|
01.
|
Symphony no. 39 in E-flat major, K. 543: I. Adagio — Allegro
|
|
02.
|
Symphony no. 39 in E-flat major, K. 543: II. Andante con moto
|
|
03.
|
Symphony no. 39 in E-flat major, K. 543: III. Menuetto. Allegretto
|
|
04.
|
Symphony no. 39 in E-flat major, K. 543: IV. Finale. Allegro
|
|
05.
|
Symphony no. 40 in G minor, K. 550: I. Molto allegro
|
|
06.
|
Symphony no. 40 in G minor, K. 550: II. Andante
|
|
07.
|
Symphony no. 40 in G minor, K. 550: III. Menuetto. Allegretto
|
|
08.
|
Symphony no. 40 in G minor, K. 550: IV. Allegro assai
|
|
Disc 26
|
|
01.
|
Concerto for Piano and Orchestra no. 15, K. 453: I. Allegro
|
|
02.
|
Concerto for Piano and Orchestra no. 15, K. 453: II. Andante
|
|
03.
|
Concerto for Piano and Orchestra no. 15, K. 453: III. Allegro
|
|
04.
|
Symphony no. 36, K. 425 “Linz”: I. Adagio - Allegro spiritoso
|
|
05.
|
Symphony no. 36, K. 425 “Linz”: II. Andante
|
|
06.
|
Symphony no. 36, K. 425 “Linz”: III. Menuetto
|
|
07.
|
Symphony no. 36, K. 425 “Linz”: IV. Presto
|
|
Disc 27
|
|
01.
|
Concerto for Piano and Orchestra No. 17 in G major, K. 453: I. Allegro
|
|
02.
|
Concerto for Piano and Orchestra No. 17 in G major, K. 453: II. Andante
|
|
03.
|
Concerto for Piano and Orchestra No. 17 in G major, K. 453: III. Allegretto - Finale: Presto
|
|
04.
|
Concerto for Piano and Orchestra in G major, M. 83: I. Allegramente
|
|
05.
|
Concerto for Piano and Orchestra in G major, M. 83: II. Adagio assai
|
|
06.
|
Concerto for Piano and Orchestra in G major, M. 83: III. Presto
|
|
Disc 28
|
|
01.
|
Motet for Chorus, Strings & Organ in D major, K. 618: "Ave verum corpus"
|
|
02.
|
Exsultate, jubilate, K. 165
|
|
03.
|
Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": I. "Kyrie"
|
|
04.
|
Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIa. Gloria: "Gloria in excelsis"
|
|
05.
|
Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIb. Gloria: "Laudamus te"
|
|
06.
|
Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIc. Gloria: "Gratias agimus tibi"
|
|
07.
|
Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IId. Gloria: "Domine Deus"
|
|
08.
|
Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIe. Gloria: "Qui tollis"
|
|
09.
|
Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIf. Gloria: "Quoniam tu solus"
|
|
10.
|
Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIg. Gloria: "Jesu Christe"
|
|
11.
|
Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIh. Gloria: "Cum Sancto Spiritu"
|
|
12.
|
Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IVa. Sanctus: "Sanctus"
|
|
13.
|
Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIIb. Credo: "Et incarnatus est"
|
|
14.
|
Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IVa. Sanctus: "Sanctus" / IVb. Sanctus: "Hosanna"
|
|
15.
|
Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": V. Benedictus
|
|
Disc 29
|
|
01.
|
Requiem in D minor, K. 626: I. Introitus: "Requiem aeternam"
|
|
02.
|
Requiem in D minor, K. 626: II. "Kyrie eleison"
|
|
03.
|
Requiem in D minor, K. 626: IIIa. Sequenz: "Dies irae"
|
|
04.
|
Requiem in D minor, K. 626: IIIb. Sequenz: "Tuba mirum"
|
|
05.
|
Requiem in D minor, K. 626: IIIc. Sequenz: "Rex tremendae"
|
|
06.
|
Requiem in D minor, K. 626: IIId. Sequenz: "Recordare"
|
|
07.
|
Requiem in D minor, K. 626: IIIe. Sequenz: "Confutatis"
|
|
08.
|
Requiem in D minor, K. 626: IIIf. Sequenz: "Lacrimosa"
|
|
09.
|
Requiem in D minor, K. 626: IVa. Offertorium: "Domine Jesu"
|
|
10.
|
Requiem in D minor, K. 626: IVb. Offertorium: "Hostias"
|
|
11.
|
Requiem in D minor, K. 626: V. "Sanctus"
|
|
12.
|
Requiem in D minor, K. 626: VI. "Benedictus"
|
|
13.
|
Requiem in D minor, K. 626: VII. "Agnus Dei"
|
|
14.
|
Requiem in D minor, K. 626: VIII. Communio: "Lux aeterna"
|
|
Disc 30
|
|
01.
|
La bohème: Atto I. "Questo mar rosso mi ammolisce e assidera" (Marcello, Rodolfo, Colline)
|
|
02.
|
La bohème: Atto I. "Pensier profondo" (Colline, Marcello, Rodolfo)
|
|
03.
|
La bohème: Atto I. "Abbasso, abbasso l'autor!" (Marcello, Colline, Rodolfo, Schaunard)
|
|
04.
|
La bohème: Atto I. "Si può?" (Benoit, Marcello, Schaunard, Colline, Rodolfo)
|
|
05.
|
La bohème: Atto I. "Io resto" (Rodolfo, Marcello, Colline, Schaunard)
|
|
06.
|
La bohème: Atto I. "Non sono in vena" (Rodolfo, Mimì)
|
|
07.
|
La bohème: Atto I. "Si sente meglio" (Rodolfo, Mimì)
|
|
08.
|
La bohème: Atto I. "Che gelida manina" (Rodolfo)
|
|
09.
|
La bohème: Atto I. "Sì. Mi chiamano Mimì" (Mimì, Rodolfo)
|
|
10.
|
La bohème: Atto I. "Ehi! Rodolfo!" (Schaunard, Colline, Marcello, Mimì)
|
|
11.
|
La bohème: Atto I. "O soave fanciulla" (Rodolfo, Marcello, Mimì)
|
|
12.
|
La bohème: Atto II. "Aranci, datteri! Caldi i marroni!" (Coro, Schaunard, Colline, Rodolfo, Mimì, Marcello)
|
|
13.
|
La bohème: Atto II. "Chi guardi?" (Rodolfo, Colline, Mimì, Schaunard, Marcello, Coro, Parpignol, Ragazzi)
|
|
14.
|
La bohème: Atto II. "Questa è Mimì" (Rodolfo, Marcello, Schaunard, Colline, Parpignol, Ragazzi, Bambine, Mamme, Mimì)
|
|
15.
|
La bohème: Atto II. "Viva Parpignol!" (Coro, Marcello, Mimì, Schaunard, Colline, Rodolfo)
|
|
16.
|
La bohème: Atto II. "Allegri e un toast!" (Schaunard, Colline, Marcello, Mimì, Rodolfo, Coro, Alcindoro, Musetta)
|
|
17.
|
La bohème: Atto II. "Quando men vo soletta per la via" (Musetta, Marcello, Alcindoro, Mimì, Rodolfo, Schaunard, Colline)
|
|
18.
|
La bohème: Atto II. "Il conto?!" (Rodolfo, Schaunard, Colline, Coro, Musetta, Marcello, Mimì)
|
|
Disc 31
|
|
01.
|
La bohème: Atto III. "Ohè, là, le guardie!" (Spazzini, Musetta, Doganiere, Voci, Lattivendole, Contadine)
|
|
02.
|
La bohème: Atto III. "Sa dirmi, scusi, qual'è l'osteria" (Mimì, Sergente, Donganiere)
|
|
03.
|
La bohème: Atto III. "Mimì! - Speravo di trovarvi qui" (Marcello, Mimì)
|
|
04.
|
La bohème: Atto III. "Marcello. Finalmente!" (Rodolfo, Marcello, Mimì)
|
|
05.
|
La bohème: Atto III. "Mimì è una civetta" (Rodolfo, Marcello, Mimì)
|
|
06.
|
La bohème: Atto III. "Mimì è tanto malata" (Rodolfo, Mimì, Marcello)
|
|
07.
|
La bohème: Atto III. "Mimì di serra è fiore" (Rodolfo, Mimì, Marcello)
|
|
08.
|
La bohème: Atto III. "Donde lieta usci" (Mimì)
|
|
09.
|
La bohème: Atto III. "Dunque è proprio finita!" (Rodolfo, Mimì, Marcello, Musetta)
|
|
10.
|
La bohème: Atto IV. "In un coupé? - Con pariglia e livree" (Marcello, Rodolfo)
|
|
11.
|
La bohème: Atto IV. "O Mimì, tu più non torni" (Rodolfo, Marcello)
|
|
12.
|
La bohème: Atto IV. "Che ora sia?" (Rodolfo, Marcello, Schaunard, Colline)
|
|
13.
|
La bohème: Atto IV. "Gavotta! - Minuetto!" (Colline, Marcello, Rodolfo, Schaunard)
|
|
14.
|
La bohème: Atto IV. "C'è Mimì" (Musetta, Rodolfo, Schaunard, Mimi, Marcello, Colline)
|
|
15.
|
La bohème: Atto IV. "Vecchia zimarra, senti" (Colline, Schaunard)
|
|
16.
|
La bohème: Atto IV. "Sono andati? Fingevo di dormire" (Mimì, Rodolfo)
|
|
17.
|
La bohème: Atto IV. "Oh Dio! Mimì!" (Rodolfo, Schaunard, Mimì, Musetta, Marcello)
|
|
18.
|
La bohème: Atto IV. "Che ha detto il medico?" (Rodolfo, Marcello, Musetta, Schaunard, Colline)
|
|
Disc 32
|
|
01.
|
Symphony no. 8 in B minor, D. 759 "Unfinished": I. Allegro moderato
|
|
02.
|
Symphony no. 8 in B minor, D. 759 "Unfinished": II. Andante con moto
|
|
03.
|
Symphony no. 5 in B-flat major, D. 485: I. Allegro
|
|
04.
|
Symphony no. 5 in B-flat major, D. 485: II. Andante con moto
|
|
05.
|
Symphony no. 5 in B-flat major, D. 485: III. Menuetto. Allegro molto - Trio
|
|
06.
|
Symphony no. 5 in B-flat major, D. 485: IV. Allegro vivace
|
|
Disc 33
|
|
01.
|
Symphony no. 1 in B-flat major, op. 38 "Spring": I. Andante un poco maestoso - Allegro molto vivace
|
|
02.
|
Symphony no. 1 in B-flat major, op. 38 "Spring": II. Larghetto - attacca
|
|
03.
|
Symphony no. 1 in B-flat major, op. 38 "Spring": III. Scherzo. Molto vivace
|
|
04.
|
Symphony no. 1 in B-flat major, op. 38 "Spring": IV. Allegro animato e grazioso
|
|
05.
|
Symphony no. 4 in D minor, op. 120: I. Ziemlich langsam - Lebhaft - (attacca:)
|
|
06.
|
Symphony no. 4 in D minor, op. 120: II. Romanze. Ziemlich langsam - (attacca:)
|
|
07.
|
Symphony no. 4 in D minor, op. 120: III. Scherzo. Lebhaft - Trio - (attacca:)
|
|
08.
|
Symphony no. 4 in D minor, op. 120: IV. Langsam - Lebhaft
|
|
Disc 34
|
|
01.
|
Symphony no. 9 in C major, D. 944 "Great": I. Andante - Allegro ma non troppo
|
|
02.
|
Symphony no. 9 in C major, D. 944 "Great": II. Andante con moto
|
|
03.
|
Symphony no. 9 in C major, D. 944 "Great": III. Scherzo. Allegro vivace / Trio
|
|
04.
|
Symphony no. 9 in C major, D. 944 "Great": IV. Finale. Allegro vivace
|
|
Disc 35
|
|
01.
|
Symphony no. 2 in C major, op. 61: I. Sostenuto assai - Un poco più vivace - Allegro ma non troppo - Con fuoco
|
|
02.
|
Symphony no. 2 in C major, op. 61: II. Scherzo. Allegro vivace
|
|
03.
|
Symphony no. 2 in C major, op. 61: III. Adagio espressivo
|
|
04.
|
Symphony no. 2 in C major, op. 61: IV. Allegro molto vivace
|
|
05.
|
Concerto for Cello and Orchestra in A minor, op. 129: I. Nicht zu schnell
|
|
06.
|
Concerto for Cello and Orchestra in A minor, op. 129: II. Langsam
|
|
07.
|
Concerto for Cello and Orchestra in A minor, op. 129: III. Sehr lebhaft
|
|
Disc 36
|
|
01.
|
Symphony no. 3 in E-flat, op. 97 "Rhenish": I. Lebhaft
|
|
02.
|
Symphony no. 3 in E-flat, op. 97 "Rhenish": II. Scherzo (Sehr mäßig)
|
|
03.
|
Symphony no. 3 in E-flat, op. 97 "Rhenish": III. Nicht schnell
|
|
04.
|
Symphony no. 3 in E-flat, op. 97 "Rhenish": IV. Feierlich
|
|
05.
|
Symphony no. 3 in E-flat, op. 97 "Rhenish": V. Lebhaft
|
|
06.
|
Concerto for Piano and Orchestra in A minor, op. 54: I. Allegro affettuoso
|
|
07.
|
Concerto for Piano and Orchestra in A minor, op. 54: II. Intermezzo (Andantino grazioso)
|
|
08.
|
Concerto for Piano and Orchestra in A minor, op. 54: III. Allegro vivace
|
|
Disc 37
|
|
01.
|
Symphony no. 1 in F minor, op. 10: I. Allegretto - Allegro non troppo
|
|
02.
|
Symphony no. 1 in F minor, op. 10: II. Allegro
|
|
03.
|
Symphony no. 1 in F minor, op. 10: III. Lento - Largo
|
|
04.
|
Symphony no. 1 in F minor, op. 10: IV. Lento - Allegro molto - Largo
|
|
05.
|
Symphony no. 7 in C major, op. 60 "Leningrad": I. Allegretto
|
|
Disc 38
|
|
01.
|
Symphony no. 7 in C major, op. 60 "Leningrad": II. Moderato (poco allegretto)
|
|
02.
|
Symphony no. 7 in C major, op. 60 "Leningrad": III. Adagio
|
|
03.
|
Symphony no. 7 in C major, op. 60 "Leningrad": IV. Allegro non troppo
|
|
Disc 39
|
|
01.
|
Symphony no. 6 in B minor, op. 54: I. Largo
|
|
02.
|
Symphony no. 6 in B minor, op. 54: II. Allegro
|
|
03.
|
Symphony no. 6 in B minor, op. 54: III. Presto
|
|
04.
|
Symphony no. 9 E-flat major, op. 70: I. Allegro
|
|
05.
|
Symphony no. 9 E-flat major, op. 70: II. Moderato
|
|
06.
|
Symphony no. 9 E-flat major, op. 70: III. Presto
|
|
07.
|
Symphony no. 9 E-flat major, op. 70: IV. Largo
|
|
08.
|
Symphony no. 9 E-flat major, op. 70: V. Allegretto
|
|
Disc 40
|
|
01.
|
Symphony no. 1 in E minor, op. 39: I. Andante ma non troppo - Allegro energico
|
|
02.
|
Symphony no. 1 in E minor, op. 39: II. Andante (ma non troppo lento)
|
|
03.
|
Symphony no. 1 in E minor, op. 39: III. Scherzo. Allegro
|
|
04.
|
Symphony no. 1 in E minor, op. 39: IV. Finale. Quasi una Fantasia
|
|
Disc 41
|
|
01.
|
Symphony no. 2 in D major, op. 43: I. Allegretto
|
|
02.
|
Symphony no. 2 in D major, op. 43: II. Tempo andante, ma rubato
|
|
03.
|
Symphony no. 2 in D major, op. 43: III. Vivacissimo -
|
|
04.
|
Symphony no. 2 in D major, op. 43: IV. Finale: Allegro moderato
|
|
Disc 42
|
|
01.
|
Symphony no. 5 in E-flat, op. 82: I. Tempo molto moderato - Largamente
|
|
02.
|
Symphony no. 5 in E-flat, op. 82: II. Allegro moderato - Presto
|
|
03.
|
Symphony no. 5 in E-flat, op. 82: III. Andante mosso, quasi allegretto
|
|
04.
|
Symphony no. 5 in E-flat, op. 82: IV. Allegro molto - Misterioso - Un pochettino largamente - Largamente assai
|
|
05.
|
Symphony no. 7 in C, op. 105: Adagio
|
|
06.
|
Symphony no. 7 in C, op. 105: Un pochettino meno adagio - Poco a poco affrettando il tempo al Vivacissimo
|
|
07.
|
Symphony no. 7 in C, op. 105: 5 bars before: Poco rallentando all' Adagio - Poco a poco meno lento all'
|
|
08.
|
Symphony no. 7 in C, op. 105: Allegro molto moderato - Poco a poco meno moderato -
|
|
09.
|
Symphony no. 7 in C, op. 105: 2 bars before: Vivace - Presto - Poco a poco rallentando all' Adagio - Largamente molto - Affettuoso - Tempo I
|
|
Disc 43
|
|
01.
|
Salome, op. 54, TrV 215: Letzte Szene “Es ist kein Laut zu vernehmen” - “Ah! Du wolltest mich nicht deinen Mund küssen lassen, Jochanaan”
|
|
02.
|
Salome, op. 54, TrV 215: Tanz der sieben Schleier
|
|
03.
|
Songs for Voice and Orchestra: Cäcilie, op. 27, TrV 170 no. 2
|
|
04.
|
Songs for Voice and Orchestra: Wiegenlied, op. 41, TrV 195 no. 1
|
|
05.
|
Songs for Voice and Orchestra: Ich liebe dich, op. 37, TrV 187 no. 2
|
|
06.
|
Songs for Voice and Orchestra: Morgen, op. 27, TrV 170 no. 4
|
|
07.
|
Songs for Voice and Orchestra: Zueignung, op. 10, TrV 141 no. 1
|
|
Disc 44
|
|
01.
|
Firebird Suite: I. Introduction
|
|
02.
|
Firebird Suite: II. L’oiseau de feu et sa danse
|
|
03.
|
Firebird Suite: III. Variation de l’oiseau de feu
|
|
04.
|
Firebird Suite: IV. Rondes des princesses
|
|
05.
|
Firebird Suite: V. Danse infernale du roi Kastcheï
|
|
06.
|
Firebird Suite: VI. Berceuse
|
|
07.
|
Firebird Suite: VII. Final
|
|
08.
|
Pulcinella Suite: I. Sinfonia (Ouverture): Allegro moderato
|
|
09.
|
Pulcinella Suite: II. Serenata: Larghetto
|
|
10.
|
Pulcinella Suite: III. Scherzino / Allegro / Andantino
|
|
11.
|
Pulcinella Suite: IV. Tarantella (88 bpm)
|
|
12.
|
Pulcinella Suite: V. Toccata: Allegro
|
|
13.
|
Pulcinella Suite: VI. Gavotta: Allegro moderato / Variazione Ia. Allegretto / Variazione IIa. Allegro piú tosto moderato
|
|
14.
|
Pulcinella Suite: VII. Vivo
|
|
15.
|
Pulcinella Suite: VIII. Minuetto. Molto moderato / Finale. Allegro assai
|
|
Disc 45
|
|
01.
|
Pétrouchka: Tableau 1. Fete Populaire de la Semaine Grasse
|
|
02.
|
Pétrouchka: Tableau 1. Le Tour de Passe-passe
|
|
03.
|
Pétrouchka: Tableau 2. Chez Petrouchka
|
|
04.
|
Pétrouchka: Tableau 3. Chez le Maure - Danse de la Ballerine
|
|
05.
|
Pétrouchka: Tableau 3. Valse: La Ballerine et le Maure
|
|
06.
|
Pétrouchka: Tableau 4. Fete Populaire de la Semaine grasse
|
|
07.
|
Pétrouchka: Tableau 4. Danse des nounous
|
|
08.
|
Pétrouchka: Tableau 4. Le Paysan et L'ours
|
|
09.
|
Pétrouchka: Tableau 4. Un marchand fetard avec deux tziganes
|
|
10.
|
Pétrouchka: Tableau 4. Danse des Cochers et des palefreniers
|
|
11.
|
Pétrouchka: Tableau 4. Les Deguises
|
|
12.
|
Pétrouchka: Tableau 4. Le Rixe: Le Maure et Petrouchka
|
|
13.
|
Pétrouchka: Tableau 4. Mort de Petrouchka
|
|
14.
|
Pétrouchka: Tableau 4. La Police et le charlatan
|
|
15.
|
Pétrouchka: Tableau 4. Apparition du double de Petrouchka
|
|
16.
|
Scènes de ballet: Introduction
|
|
17.
|
Scènes de ballet: Danses (Corps de Ballet). Moderato
|
|
18.
|
Scènes de ballet: Variation (Ballerine). Con moto
|
|
19.
|
Scènes de ballet: Pantomime. Lento
|
|
20.
|
Scènes de ballet: Pas de deux. Adagio
|
|
21.
|
Scènes de ballet: Pantomime. Agitato ma temp giusto
|
|
22.
|
Scènes de ballet: Variation (Danseur). Risoluto
|
|
23.
|
Scènes de ballet: Variation (Ballerine). Andantino
|
|
24.
|
Scènes de ballet: Pantomime. Andantino
|
|
25.
|
Scènes de ballet: Danses (Corps de ballet). Con moto
|
|
26.
|
Scènes de ballet: Apothéose. Poco meno mosso
|
|
Disc 46
|
|
01.
|
Le Sacre du printemps: Partie I. Introduction
|
|
02.
|
Le Sacre du printemps: Partie I. Les Augures printaniers (Danses des adolescentes)
|
|
03.
|
Le Sacre du printemps: Partie I. Jeu du rapt
|
|
04.
|
Le Sacre du printemps: Partie I. Rondes printanières
|
|
05.
|
Le Sacre du printemps: Partie I. Jeux des cités rivales
|
|
06.
|
Le Sacre du printemps: Partie I. Cortège du Sage
|
|
07.
|
Le Sacre du printemps: Partie I. Adoration de la Terre (Le Sage)
|
|
08.
|
Le Sacre du printemps: Partie I. Danse de la Terre
|
|
09.
|
Le Sacre du printemps: Partie II. Introduction
|
|
10.
|
Le Sacre du printemps: Partie II. Cercles mystérieux des adolescentes
|
|
11.
|
Le Sacre du printemps: Partie II. Glorification de l'élue
|
|
12.
|
Le Sacre du printemps: Partie II. Évocation des ancêtres
|
|
13.
|
Le Sacre du printemps: Partie II. Action rituelle des ancêtres
|
|
14.
|
Le Sacre du printemps: Partie II. Danse sacrale (L'élue)
|
|
Disc 47
|
|
01.
|
Symphony in C: I. Moderato alla breve
|
|
02.
|
Symphony in C: II. Larghetto concertante
|
|
03.
|
Symphony in C: III. Allegretto
|
|
04.
|
Symphony in C: IV. Largo - Tempo giusto, alla breve
|
|
05.
|
Symphony in Three Movements: I. Allegro
|
|
06.
|
Symphony in Three Movements: II. Andante
|
|
07.
|
Symphony in Three Movements: Interlude (L'istesso tempo)
|
|
08.
|
Symphony in Three Movements: III. Con moto
|
|
Disc 48
|
|
01.
|
The Wedding: Part I, Scene 1. The Tresses
|
|
02.
|
The Wedding: Part I, Scene 2. At the Bridegroom's House
|
|
03.
|
The Wedding: Part I, Scene 3. The Departure of the Bride
|
|
04.
|
The Wedding: Part II, Scene 4. The Wedding Feast
|
|
05.
|
Mass: Kyrie
|
|
06.
|
Mass: Gloria
|
|
07.
|
Mass: Credo
|
|
08.
|
Mass: Sanctus
|
|
09.
|
Mass: Agnus Dei
|
|
Disc 49
|
|
01.
|
Symphony no. 4 in F minor, op. 36, TH 27: I. Andante sostenuto - Moderato con anima - Moderato assai, quasi Andante - Allegro vivo
|
|
02.
|
Symphony no. 4 in F minor, op. 36, TH 27: II. Andantino in modo di canzone
|
|
03.
|
Symphony no. 4 in F minor, op. 36, TH 27: III. Scherzo. Pizzicato ostinato - Allegro
|
|
04.
|
Symphony no. 4 in F minor, op. 36, TH 27: IV. Finale. Allegro con fuoco
|
|
05.
|
Francesca da Rimini, op. 32, TH 46: Andante lugubre - Allegro vivo - Andante cantabile non troppo - Allegro vivo
|
|
Disc 50
|
|
01.
|
Symphony no. 5 in E minor, op. 64, TH 29: I. Andante - Allegro con anima
|
|
02.
|
Symphony no. 5 in E minor, op. 64, TH 29: II. Andante cantabile, con alcuna licenza - Moderato con anima - Andante mosso - Allegro non troppo
|
|
03.
|
Symphony no. 5 in E minor, op. 64, TH 29: III. Valse. Allegro moderato
|
|
04.
|
Symphony no. 5 in E minor, op. 64, TH 29: IV. Andante maestoso - Allegro vivace - Molto vivace - Moderato assai e molto maestoso - Presto
|
|
05.
|
Romeo and Juliet, Fantasy-Overture in B minor, TH 42
|
|
Disc 51
|
|
01.
|
Symphony no. 6 in B minor, op. 74, TH 30 "Pathétique": I. Adagio – Allegro non troppo – Andante – Moderato mosso – Andante – Moderato assai – Allegro vivo – Andante come prima – Andante mosso
|
|
02.
|
Symphony no. 6 in B minor, op. 74, TH 30 "Pathétique": II. Allegro con grazia
|
|
03.
|
Symphony no. 6 in B minor, op. 74, TH 30 "Pathétique": III. Allegro molto vivace
|
|
04.
|
Symphony no. 6 in B minor, op. 74, TH 30 "Pathétique": IV. Finale. Adagio lamentoso – Andante
|
|
Disc 52
|
|
01.
|
Francesca da Rimini, op. 32, TH 46: Andante lugubre - Allegro vivo - Andante cantabile non troppo - Allegro vivo
|
|
02.
|
Romeo and Juliet, Fantasy-Overture in B minor, TH 42
|
|
Disc 53
|
|
01.
|
Hamlet, op. 67, TH 53
|
|
02.
|
Marche slave, op. 31, TH 45
|
|
03.
|
Capiccio italien, op. 45, TH 47
|
|
04.
|
Ouverture solennelle "1812", op. 49, TH 49
|
|
Disc 54
|
|
01.
|
Concerto for Cello and Orchestra in B minor, op. 104, B. 191: I. Allegro
|
|
02.
|
Concerto for Cello and Orchestra in B minor, op. 104, B. 191: II. Adagio, ma no troppo
|
|
03.
|
Concerto for Cello and Orchestra in B minor, op. 104, B. 191: III. Finale. Allegro moderato
|
|
04.
|
Schelomo, B. 39
|
|
Disc 55
|
|
01.
|
Tristan und Isolde, WWV 90: Vorspiel
|
|
02.
|
Tristan und Isolde, WWV 90: Akt I. Szene I. "Westwarts schweift der Blick" (Junge Seeman, Isolde, Brangäne)
|
|
03.
|
Tristan und Isolde, WWV 90: Akt I. Szene II. "Frisch weht der Wind der Heimat zu" (Junge Seeman, Isolde, Brangäne)
|
|
04.
|
Tristan und Isolde, WWV 90: Akt I. Szene II. "Hab acht, Tristan!" (Kurwenal, Tristan, Brangäne, Schiffsvolk)
|
|
05.
|
Tristan und Isolde, WWV 90: Akt I. Szene III. "Weh, ach wehe!" (Brangäne, Isolde)
|
|
06.
|
Tristan und Isolde, WWV 90: Akt I. Szene III. "Wie lachend sie mir" (Isolde, Brangäne, Chor)
|
|
07.
|
Tristan und Isolde, WWV 90: Akt I. Szene IV. "Auf! Auf! Ihr Frauen!" (Kurwenal, Isolde, Brangäne)
|
|
Disc 56
|
|
01.
|
Tristan und Isolde, WWV 90: Akt I. Szene IV. "Herr Tristan nah!" (Isolde, Tristan, Chor)
|
|
02.
|
Tristan und Isolde, WWV 90: Akt I. Szene V. "War Morold dir so wert" (Tristan, Isolde, Chor)
|
|
03.
|
Tristan und Isolde, WWV 90: Akt I. Szene V. "Tristan! - Isolde!" (Isolde, Tristan, Chor, Brangäne, Kurwenal)
|
|
04.
|
Tristan und Isolde, WWV 90: Akt II. Vorspiel
|
|
05.
|
Tristan und Isolde, WWV 90: Akt II. Szene I. "Horst du sie noch?" (Isolde, Brangäne)
|
|
06.
|
Tristan und Isolde, WWV 90: Akt II. Szene II. "Isolde! Geliebte!" (Tristan, Isolde)
|
|
Disc 57
|
|
01.
|
Tristan und Isolde, WWV 90: Akt II. Szene II. "O sik hernieder, Nactht der Liebe" (Tristan, Isolde, Brangäne)
|
|
02.
|
Tristan und Isolde, WWV 90: Akt II. Szene II. "Lausch, Geliebter" (Isolde, Tristan)
|
|
03.
|
Tristan und Isolde, WWV 90: Akt II. Szene II. "So sturben wir, um ungetrennt" (Tristan, Isolde, Brangäne)
|
|
04.
|
Tristan und Isolde, WWV 90: Akt II. Szene III. "Rette dich, Tristan" (Kurwenal, Tristan, Melot)
|
|
05.
|
Tristan und Isolde, WWV 90: Akt II. Szene III. "Tatest du's wirklich?" (Marke, Tristan)
|
|
06.
|
Tristan und Isolde, WWV 90: Akt II. Szene III. "O, Konig, das kann ich dir nicht sagen" (Tristan, Isolde, Melot)
|
|
07.
|
Tristan und Isolde, WWV 90: Akt III. Vorspiel
|
|
08.
|
Tristan und Isolde, WWV 90: Akt III. Szene I. "Kurwenal! He! Sag, Kurwenal!" (Hirt, Kurwenal, Tristan)
|
|
Disc 58
|
|
01.
|
Tristan und Isolde, WWV 90: Akt III. Szene I. "Wo ich erwacht, weilt ich nicht" (Tristan, Kurwenal)
|
|
02.
|
Tristan und Isolde, WWV 90: Akt III. Szene I. "Der einst ich trotzt aus Treu" (Tristan, Kurwenal)
|
|
03.
|
Tristan und Isolde, WWV 90: Akt III. Szene I. "Bist du nun tot?" (Kurwenal, Tristan)
|
|
04.
|
Tristan und Isolde, WWV 90: Akt III. Szene I. "O Wonne! Freunde!" (Kurwenal, Tristan)
|
|
05.
|
Tristan und Isolde, WWV 90: Akt III. Szene II. "O diese Sonne" (Tristan, Isolde)
|
|
06.
|
Tristan und Isolde, WWV 90: Akt III. Szene II. "Ich bin's, ich bin's" (Isolde)
|
|
07.
|
Tristan und Isolde, WWV 90: Akt III. Szene III. "Kurwenal! Hor!" (Hirt, Kurwenal, Steuermann, Brangäne, Melot, Marke)
|
|
08.
|
Tristan und Isolde, WWV 90: Akt III. Szene III. "Mild unde leise wie er lachelt" (Isolde)
|
|
Disc 59
|
|
01.
|
Symphony no. 3 in E-flat major, op. 55 "Eroica": I. Allegro con brio
|
|
02.
|
Symphony no. 3 in E-flat major, op. 55 "Eroica": II. Marcia funebre. Adagio assai
|
|
03.
|
Symphony no. 3 in E-flat major, op. 55 "Eroica": III. Scherzo. Allegro vivace
|
|
04.
|
Symphony no. 3 in E-flat major, op. 55 "Eroica": IV. Finale. Allegro molto
|
|
05.
|
Musical Analysis (Bernstein on Beethoven's Symphony No. 3): "Simplicity itself..." (1st movement)
|
|
06.
|
Musical Analysis (Bernstein on Beethoven's Symphony No. 3): "I always feel this gigantism..." (2nd movement)
|
|
07.
|
Musical Analysis (Bernstein on Beethoven's Symphony No. 3): "We have just been examining..." (3rd movement)
|
|
Disc 60
|
|
01.
|
Musical Analysis (Bernstein on Beethoven's Symphony No. 3): "All that we have said..." (4th movement)
|
|
02.
|
Musical Analysis (Bernstein on Beethoven's Symphony No. 3): "The study of Eroica is a lifetime work..."
|
|
03.
|
Symphony no. 9 in E minor, op. 95 "From the New World": I. Adagio – Allegro molto
|
|
04.
|
Symphony no. 9 in E minor, op. 95 "From the New World": II. Largo
|
|
05.
|
Symphony no. 9 in E minor, op. 95 "From the New World": III. Scherzo. Molto vivace
|
|
06.
|
Symphony no. 9 in E minor, op. 95 "From the New World": IV. Allegro con fuoco
|
|
07.
|
Musical Analysis (Bernstein on Dvorák's Symphony No.9): "Does this music sound like the New World to you?" (3rd movement, Trio II; 1st movement)
|
|
08.
|
Musical Analysis (Bernstein on Dvorák's Symphony No.9): "We come now to the second movement, which has a charming melody, ..." (2nd movement)
|
|
09.
|
Musical Analysis (Bernstein on Dvorák's Symphony No.9): "The third movement is a marvel of ingenuity and deftness" (3rd movement)
|
|
10.
|
Musical Analysis (Bernstein on Dvorák's Symphony No.9): "And now the last movement. In general I should say that this is the most Slavic of all" (4th movement)
|
|
11.
|
Musical Analysis (Bernstein on Dvorák's Symphony No.9): "The final claim of those who argue for the New World Symphony as American music, ..." (4th movement, continued)
|
|
Disc 61
|
|
01.
|
Symphony no. 2 in C major, op. 61: I. Sostenuto assai - Un poco più vivace - Allegro ma non troppo - Con fuoco
|
|
02.
|
Symphony no. 2 in C major, op. 61: II. Scherzo: Allegro vivace
|
|
03.
|
Symphony no. 2 in C major, op. 61: III. Adagio espressivo
|
|
04.
|
Symphony no. 2 in C major, op. 61: IV. Allegro molto vivace
|
|
05.
|
Musical Analysis (Bernstein on Schumann's Symphony No. 2): "Robert Schumann has been dead..." (3rd movement, opening theme)
|
|
06.
|
Musical Analysis (Bernstein on Schumann's Symphony No. 2): "To my mind, Schumann follows in this tradition..."
|
|
07.
|
Musical Analysis (Bernstein on Schumann's Symphony No. 2): "Now let's look at the Symphony itself..." (1st movement)
|
|
08.
|
Musical Analysis (Bernstein on Schumann's Symphony No. 2): "And so we have arrived at the allegro section..." (1st movement, continued)
|
|
09.
|
Musical Analysis (Bernstein on Schumann's Symphony No. 2): "In the marvelous Scherzo that follows..." (2nd movement)
|
|
10.
|
Musical Analysis (Bernstein on Schumann's Symphony No. 2): "But perhaps the greatest beauty...." (3rd movement)
|
|
11.
|
Musical Analysis (Bernstein on Schumann's Symphony No. 2): "Even in the final movement...." (4th movement)
|
|
Disc 62
|
|
01.
|
Symphony no. 4 in E minor, op. 98: I. Allegro non troppo
|
|
02.
|
Symphony no. 4 in E minor, op. 98: II. Andante moderato
|
|
03.
|
Symphony no. 4 in E minor, op. 98: III. Allegro giocoso - Poco meno presto - Tempo I
|
|
04.
|
Symphony no. 4 in E minor, op. 98: IV. Allegro energico e passionato - Più allegro
|
|
05.
|
Musical Analysis (Bernstein on Brahms's Symphony No. 4): "Brahms' Fourth Symphony in E minor is today ..." (4th movement., opening theme)
|
|
06.
|
Musical Analysis (Bernstein on Brahms's Symphony No. 4): "Our journey begins without introduction..." (1st movement)
|
|
07.
|
Musical Analysis (Bernstein on Brahms's Symphony No. 4): "Do you see now what a symphonic theme is?" (1st movement)
|
|
08.
|
Musical Analysis (Bernstein on Brahms's Symphony No. 4): "Now, think of it - we have so far only had 44 bars of music" (1st movement)
|
|
09.
|
Musical Analysis (Bernstein on Brahms's Symphony No. 4): "Here is that second theme" (1st movement)
|
|
10.
|
Musical Analysis (Bernstein on Brahms's Symphony No. 4): "This brings us to the development section proper" (1st movement)
|
|
11.
|
Musical Analysis (Bernstein on Brahms's Symphony No. 4): And here we are back home, ready for the rehearing of the exposition,..." (1st movement)
|
|
12.
|
Musical Analysis (Bernstein on Brahms's Symphony No. 4): "So we arrive at the coda" (1st movement)
|
|
13.
|
Musical Analysis (Bernstein on Brahms's Symphony No. 4): "Well, we have had a microscopic look at symphonic method" (1st movement)
|
|
Disc 63
|
|
01.
|
Symphony no. 6 in B minor, op. 74, TH 30 "Pathétique": I. Adagio – Allegro non troppo – Andante – Moderato mosso – Andante – Moderato assai – Allegro vivo – Andante come prima – Andante mosso
|
|
02.
|
Symphony no. 6 in B minor, op. 74, TH 30 "Pathétique": II. Allegro con grazia
|
|
03.
|
Symphony no. 6 in B minor, op. 74, TH 30 "Pathétique": III. Allegro molto vivace
|
|
04.
|
Symphony no. 6 in B minor, op. 74, TH 30 "Pathétique": IV. Finale. Adagio lamentoso – Andante
|
|
05.
|
Musical Analysis (Bernstein on Tchaikovsky's Symphony No. 6): "Now there is a melody, a pure orchestral song..." (1st movement)
|
|
06.
|
Musical Analysis (Bernstein on Tchaikovsky's Symphony No. 6): "Now the development section erupts..." (1st movement continued)
|
|
07.
|
Musical Analysis (Bernstein on Tchaikovsky's Symphony No. 6): "Now one would think that Tchaikovsky had really exploited the device of scales" (2nd movement)
|
|
08.
|
Musical Analysis (Bernstein on Tchaikovsky's Symphony No. 6): "Jumping now to the famous third movement, the great March..." (3rd movement)
|
|
09.
|
Musical Analysis (Bernstein on Tchaikovsky's Symphony No. 6): "Perhaps the most admirable example of this is to be found in the wonderful last movement, ..." (4th movement)
|
|
10.
|
Musical Analysis (Bernstein on Tchaikovsky's Symphony No. 6): "Now I don't want to give you the impression that scales are the only unifying force in this work"
|
|
Disc 64
|
|
01.
|
Fancy Free: Big Stuff (Prologue)
|
|
02.
|
Fancy Free: I. Opening Dance
|
|
03.
|
Fancy Free: II. Scene at the Bar
|
|
04.
|
Fancy Free: IV. Pas de deux
|
|
05.
|
Fancy Free: V. Competition Scene
|
|
06.
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Fancy Free: VIa. Three Dance Variations: 2. Waltz
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07.
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Fancy Free: VIb. Three Dance Variations: 3. Danzon
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08.
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Fancy Free: VIc. Three Dance Variations: 1. Galop / VII. Finale
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09.
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On the Town: Opening
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10.
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On the Town: I Get Carried Away
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11.
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On the Town: Lucky to Be Me
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12.
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On the Town: Lonely Town
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13.
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On the Town: I Can Cook Too
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14.
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On the Town: Ya Got Me
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15.
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On the Town: Opening (extended version)
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INTROITUS
Requiem aeternam dona ets, Domine, et lux perpetua luceat ets.
Soprano solo:
Te decet hymnus, Deus, in Sion, et tibi reddetur votum in Jerusalem.
Exaudi orationem meam, ad te omnis caro veniet.
Requiem aeternam dona ets, Domine, et lux perpetua luceat ets.
KYRIE
Kyrie eleison.
Christe eleison.
Kyrie eleison.
SEQUENTIA
(Dies Irae)
Dies irae, dies illa solvet saeculum in favilla, teste David cum Sibylla.
Quantus tremor est futurus quando judex est venturus cuncta stricte discussurus.
(Tuba Mirum)
Bass solo:
Tuba mirum spargens sonum per sepulcra regionum, coget omnes ante thronum.
Tenor solo:
Mors solpebit et natora cum resurget creatura Judicanti responsura.
Liber scriptus proferetur in quo totum continetur, unde mundus judicetur.
Contralto solo:
Judex ergo cum sedebit quinquid latet apparebit, nil inultum remanebit.
Alto solo:
Quid sum miser tunc dicturus, quem patronum togaturus, cum vix justus sit securus?
Solo quartet:
Cum vix justus sit securus?
(Rex Tremendae)
Rex tremendae majestatis, qui salvandos salvas gratis, salve me, fons pietatis.
(Recordare)
Solo quartet:
Recordare, Jesu pie, quod sum causa tuae viae, ne me perdas ilia die.
Quaerens me sedisti lassus, redemisti crucem passus, tamus labor non sit cassus.
Juste judex ultionis, donum fac remissionis ante diem rationis.
Ingemisco tamquam reus, culpa rubet vultus meus, supplicanti parce, Deus.
Qui Mariam absolvisti et latronem exaudisti, mihi quoque spem dedisti.
Preces meae non sum dignae, sed tu bonus fac benigne, ne perenni cremet igne.
Inter oves locurn praesta, et ab haedis me sequestra, statuens in parle dextra.
(Confutatis)
Confutatis maledictis flammis acribus addictis, voca me cum benedictis.
Oro supplex et acclinis, cor contritum quasi clinis, gere curam mei finis.
(Lacrimosa)
Lacrimosa dies ilia qua resurget ex favilla judicandus homo reus.
Huic ergo parce, Deus, pie Jesu Domine, dona els requiem.
Amen Amen Amen Amen
OFFERTORIUM
Domine, Jesu Christe, Rex gloriae, libera animas omnium fidelium defunctorum de poenis inferni, et de prof undo lacu.
Libera cas de ore leonis
Ne absorbeat eas tartarus, ne cadant in obscurum.
Solo quartet:
Sed signifer sanctus Michael repraesentet eas in lucem sanctam,
Quam olim Abrahae promisisti
Et semini ejus
Hostias et preces, tibi, Domine, laudis offerimus.
Tu suscipe pro animabus illis, quarum hodie memoriam facimus.
Fac eas, Domine, de morte iransire ad vitam, quam olim Abrahae promisisti et semini ejus.
SANCTUS
Sanctus, sanctus, sanctus, Dominus Deus Sabaoth!
Pleni suni coeli et terra gloria tua.
Osanna in exclesis.
BENEDICTUS
Solo quartet:
Benedictus qui venit in nomine Domini.
Osanna in excelsis.
AGNUS DEI
Agnus Dei, qui tollis peccata mundi, dona eis requiem.
Agnus Dei, qui tollis peccata mundi, dona eis requiem sempiternam.
COMMUNIO
Soprano solo:
Lux aeterna luceat eis, Domine.
Cum Sanctis mis in aeternum, quia pius es.
Lux aeterna luceat eis, Domine.
Cum Sanctis mis in aeternum, quia pius es.
Requiem aeternum dona eis, Domine, et lux perpeta luceat eis, cum sanctis tuis in aeternum, quia plus es.
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