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[dialogue] - The Collection - Voice-Over Intro Quincy Jones Interview #1
The Collection
Disc 1
01. Don’t Stop ’til You Get Enough
02. Rock With You
03. Workin’ Day and Night
04. Get on the Floor
05. Off the Wall
06. Girlfriend
07. She’s Out of My Life
08. I Can’t Help It
09. It’s the Falling in Love
10. Burn This Disco Out
11. Voice-Over Intro Quincy Jones Interview
12. Voice-Over Intro “Don’t Stop ’til You Get Enough (original demo from 1978)”
13. Don’t Stop ’til You Get Enough (original demo from 1978)
14. Quincy Jones Interview #2
15. Voice-Over Intro “Workin’ Day and Night (original demo from 1978)”
16. Workin’ Day and Night (original demo from 1978)
17. Quincy Jones Interview #3
18. Rod Temperton Interview
19. Quincy Jones Interview #4
Disc 2
01. Wanna Be Startin’ Somethin’
02. Baby Be Mine
03. The Girl Is Mine
04. Thriller
05. Beat It
06. Billie Jean
07. Human Nature
08. P.Y.T. (Pretty Young Thing)
09. The Lady in My Life
Disc 3
01. Bad
02. The Way You Make Me Feel
03. Speed Demon
04. Liberian Girl
05. Just Good Friends
06. Another Part of Me
07. Man in the Mirror
08. I Just Can’t Stop Loving You
09. Dirty Diana
10. Smooth Criminal (radio edit)
11. Leave Me Alone
12. Voice-Over Intro Quincy Jones Interview #1
13. Streetwalker
14. Voice-Over Intro Quincy Jones Interview #2
15. Todo Mi Amor Eres Tu (I Just Can’t Stop Loving You)
16. Voice-Over Intro Quincy Jones Interview #3
17. Voice-Over Intro “fly Away”
18. Fly Away
Disc 4
01. Jam
02. Why You Wanna Trip on Me
03. In the Closet
04. She Drives Me Wild
05. Remember the Time
06. Can’t Let Her Get Away
07. Heal the World
08. Black or White
09. Who Is It
10. Give in to Me
11. Will You Be There
12. Keep the Faith
13. Gone Too Soon
14. Dangerous
Disc 5
01. Unbreakable
02. Heartbreaker
03. Invincible
04. Break of Dawn
05. Heaven Can Wait
06. You Rock My World
07. Butterflies
08. Speechless
09. 2000 Watts
10. You Are My Life
11. Privacy
12. Don’t Walk Away
13. Cry
14. The Lost Children
15. Whatever Happens
16. Threatened
Thriller Producer Quincy discusses the recording of the song Someone In The Dark
From the E.T. Storybook

We got kinda trapped on-, on Thriller because, we had about four months to do it
Which isn't a long time on an album, when you're following ten million albums, you know
Because excuse me, that stuff does affect your head, you know
And there is no spiritual way to connect with and say
We're gonna make a bigger album than that, you can't
You have to do something that gives you goosebumps and says
"Yeah, man that really turns me on," because if you get turned on a lot
You got a chance of somebody else getting turned on

You just-, I still have to go with um, God's dividing rod
You know, which is a goosebumps and everything else, and-
And so, we had to do E.T. first, that's what we got in trouble with
Because we had to do the E.T. Storybook
'Cause I had just met Stephen and I introduced Michael to Stephen Spielberg
When I met Spielberg, he was doing E.T. at Laird
And I was doing Thriller with Michael
And so, we were really cross-pollinated everything, you know

He was coming over to the sessions, I was coming over to Laird
Michael was going over there and Michael loved what that was about
And um, it was a fever
And ironically, we were both making two huge pieces of stuff, you know, at the time
But did nobody knew, you know, you never know

Um, the song for E.T.? Peas, you gon' love it
That's why there's still that group of people writing
Some of them drop down, um, that-, that combination
I was gonna say one of the most rewarding parts of it is
After having worked with so many heavy people, you know
Is to put combi-, congress-combinations together
That really locks me up, you know, and put somebody
As-, as heavy as Alan and Marilyn and Rob together, it will spark
It's gonna fly, it's gonna happen

So, we were just gonna do the song first
This was this new love affair between Stephen and I
And so, we did the song, great, we're through, said
"I know, man, please do the whole album," and I said, "Stephen!"
And we had to take um, the biggest film in the history of the cinema
Successful and visual, and reduce it to an oral version
40 minute version for people that had never heard it before
That was still understandable, I said-