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Stoneman - Gothic Compilation, Part XXXVIII - Save Me the Last Waltz
Gothic Compilation, Part XXXVIII
Disc 1
01. Diary of Strange Desire
02. Looking Glass
03. All the Years
04. This Is Dynamite
05. High Time
06. Into the Wind
07. Walk On
08. Eyes of May
09. Save Me the Last Waltz
10. By Our Brotherhood With Seth
11. Scent
12. Ich atme Zeit
13. Prometheus
14. Komm wir leben
15. Red Lights Dance
16. Vibroboy
17. Reunion
18. Goddess of the Silent Screen
19. Reanimated
Disc 2
01. Nyctophobia
02. Japanese Bodies (Hiroshima edit)
03. Unicorn
04. Across the Towers
05. I Look Around
06. The Nomad
07. Whole
08. 80er Jahre
09. Kommunion (Project Pitchfork remix)
10. Legion 2008 (Exclusive version)
11. Selbstmordgedanken
12. Praise the Fallen (remixed by X-Fusion)
13. Messiah (Tamtrum remix)
14. Nekromanie
15. Dark Thorn Version 1
Wine turns to water and weed turns to dust
but the love that I feel "ENTPUPPT SICH ALS HASS"
Where have all these flowers gone wich I have
found between your legs it is the past and now
we dance like we will never do again

Grab with our hands for the sun, leave the
memorys all behind, rolling up I am on my knees
And the circus has begone your eyes turning
into white, blood is glooming out your tongue
You are right and I am false
Save me the last waltz
Save me the last waltz

It is not to believe but look at what we have done
I stepped into your world with open arms
You welcomed me in and I felt in love with the
white kingdom without no behalf

Come and save me, save me
Come and save me, save me
Come and save me, save me
Come and save me

Grab with our hands for the sun, leave the
memorys all behind, rolling up I am on my knees
And the circus has begone your eyes turning
into white, blood is glooming out your tongue
You are right and I am false
Save me the last waltz
Save me the last waltz

Grab with our hands for the sun, leave the
memorys all behind, rolling up I am on my knees
And the circus has begone your eyes turning
into white, blood is glooming out your tongue
You are right and I am false

By: Alexandre b. Oliveira